• A fan with vibrant artwork of travelers walking through a rainstorm, trees swaying in the wind, and a mountainous background.
  • Detailed section of the fan, highlighting travelers on horseback, Japanese inscriptions, and a transition from blue-green tones to golden hues.
  • A view focusing on travelers in straw hats and kimonos holding umbrellas under trees, with mist-like rainfall and soft natural colors.
  • A wooden fan stand from Ibasen, viewed from the front, showcasing a natural grain texture and a central slot for securing the fan.
  • A wooden fan stand from Ibasen, displayed at an angle, highlighting its A-frame structure and adjustable support bar.
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Ibasen

Edo Folding Fan Ukiyo-e Utagawa Hiroshige White Rain at Shono

Edo Folding Fan Ukiyo-e Utagawa Hiroshige White Rain at Shono

$109.00 USD
$109.00 USD
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Crafted by the renowned Ibasen, this Edo folding fan showcases Utagawa Hiroshige’s iconic White Rain at Shono from his celebrated Fifty-Three Stations of the Tōkaidō series. The artwork captures travelers caught in a dramatic rainstorm, evoking the dynamic beauty of nature in Hiroshige’s timeless ukiyo-e style.

The fan is framed with finely crafted bamboo for both elegance and durability. It also includes a custom display stand, allowing you to showcase this masterpiece as a stunning decorative element in your space. Whether used practically or displayed as art, this folding fan is a perfect tribute to Japan’s cultural and artistic legacy.

Detail

Material: (Ribs) Charred Smoked Bamboo, (Fan) Washi Paper, (Stand) Bamboo
Size: 8.9in / 22.5cm

Care ＆ Use

  • Store the fan in a dry environment to prevent mold, paper warping, and frame deformation. Use a desiccant if needed, but ensure it does not come into direct contact with the fan to avoid staining.
  • Avoid exposure to high temperatures, which can cause the fan to warp, crack, or lose its shape. Choose a storage location with minimal temperature fluctuation.
  • Keep the fan away from direct sunlight, which can lead to fading, discoloration, and cracking of the bamboo structure.
  • If the fan becomes wet, gently wipe off moisture immediately and air-dry in a shaded, well-ventilated area to prevent damage.
  • Remove dirt or fingerprints by lightly wiping with a cloth dampened with lukewarm water. Avoid alcohol or strong cleaners unless you are sure they are safe for the fan's materials.
  • Open the fan gently, sliding the main bone outward. Avoid sudden or forceful movements to prevent damage.
  • Close the fan carefully, guiding it along the folds. Avoid closing the fan with one hand, which can cause the paper to crease improperly or damage the frame.
  • For storage, use a breathable fabric case to protect the fan from dust and stains. Avoid plastic bags or other non-breathable materials that may trap moisture.
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Japanese Folding Fans: From Ancient Utility to Cultural Symbol

The folding fan, known as sensu in Japanese, is a significant cultural artifact with origins tracing back to Japan. Historical records suggest that the folding fan was invented in Japan between the 6th and 9th centuries. The earliest visual depictions of fans in Japan date to the 6th century, as evidenced by drawings found in ancient burial tombs.

Initially, these fans were crafted by binding thin strips of wood or bamboo together, serving both practical and ceremonial purposes. Over time, the design evolved to include paper surfaces adorned with intricate artwork, reflecting the aesthetic sensibilities of various periods. By the 10th century, folding fans had gained such popularity that sumptuary laws were enacted during the Chōhō era (999–1003) to regulate their decoration.

The folding fan's influence extended beyond Japan's borders. In 988, a Japanese monk named Chōnen presented folding fans to the Chinese emperor, marking their introduction to China. By the 16th century, these fans had reached Europe, where they became fashionable accessories among the aristocracy.

Today, folding fans remain an integral part of Japanese culture, used in traditional arts such as tea ceremonies, dance, and theater. They continue to be appreciated both for their functionality and as symbols of elegance and craftsmanship.

Brand History

Established in 1590, Ibasen is one of Japan’s most renowned traditional fan makers. Founded by Ibaya Kanzaemon, a merchant who moved to Edo (modern-day Tokyo) alongside Tokugawa Ieyasu, the company has honed its craftsmanship for over 400 years, specializing in both folding fans (sensu) and rigid fans (uchiwa).

During the Edo period, Ibasen rose to prominence through collaborations with renowned ukiyo-e artists such as Utagawa Toyokuni and Hiroshige. Their fans, adorned with iconic ukiyo-e prints, became both functional items and cultural treasures, capturing the artistic essence of the era.

Throughout its history, Ibasen has demonstrated resilience, enduring significant events such as the Great Kanto Earthquake of 1923 and the Tokyo air raids during World War II. Despite these challenges, the company continued to innovate while preserving its traditional methods.

Now led by its 14th-generation head, Yoshida Nobuo, Ibasen merges heritage with contemporary design to meet modern tastes. Their collections feature both classic and collaborative works with modern artists, ensuring the continued vibrancy of Japanese fan-making. With centuries of expertise, Ibasen invites the world to experience Japan's rich cultural heritage through its exquisite fans.