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Maruichi Shigaraki Ware Reclining Tanuki Figurine

Sale price$49.00

Not every tanuki is standing at the door with something to offer. This one is on its back, belly upward, hat askew, holding a sake flask with the particular ease of someone who has decided the day is done. The Reclining tanuki is a different kind of presence from the Fukufuku or the Wishing — less about fortune arriving or wishes being made, more about the contentment that comes after. In Japanese folklore the tanuki is associated with conviviality and good cheer as much as prosperity, and this form captures that side of the tradition without apology. Maruichi produces it in Shigaraki clay, fired in the coarse iron-rich material the region has worked since the medieval period. On a desk, a shelf, or a windowsill, it sits exactly as it appears — settled, unhurried, and entirely at ease.

Three-quarter view of the Maruichi Shigaraki ware Reclining tanuki figurine, showing the figure lying on its back with belly upward, hat tilted, and a sake flask held loosely in one paw.
Maruichi Shigaraki Ware Reclining Tanuki Figurine Sale price$49.00

Meet the Artisan

Maruichi

Maruichi sits directly beside Shigaraki Station, at the point where the town's ceramic tradition meets the people who come looking for it. The store sources its tanuki figurines from the kilns of the surrounding region, working within a production culture where maker and seller have historically occupied the same small geography. That proximity matters. In Shigaraki, the tanuki is not a souvenir category but a sustained craft form, made from the same clay and fired in the same kilns as the ware that has defined the town for centuries. The figurines Maruichi carries express the 8 attributes that give the form its cultural weight: the straw hat as protection against hardship, the wide eyes for clear judgment, the sake flask for virtue, the account book for trust, the large belly for calm deliberation, the money pouch for financial fortune, the tail for steadiness, and the face as the seat of good will. Placed at an entrance, the tanuki is understood to carry intention rather than decoration, and the Shigaraki makers who produce them treat the form accordingly. Maruichi's role is to keep that chain of meaning intact, from kiln to the hands of the people who will live with these objects.